Marine biologist Nate Quinn is in love with the majestic ocean-dwelling behemoths who have been singing their haunting song for twenty million years. But why do the humpback whales sing? That's the question that has Nate and his crew filming, charting, and recording every whale that crosses their path. Until one day when a whale lifts its tail to display a message spelled out in foot-high letters: Bite Me....
No one has ever seen such a thing; not Nate's longtime partner, not world-renowned photographer Clay Demodocus, not their saucy young research assistant, Amy, not even spliff-puffing white-boy Rastaman, Kona. And when the film returns from the lab missing the crucial tail shot--and their research facility is trashed--Nate realizes that something very fishy is going on.
It only gets weirder when a call comes in from Nate's big-bucks benefactor, saying that a whale has phoned her, asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has driven Nate throughout his adult life is within reach. And it's not what anyone would think.
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by Nick Hornby
by Michel Moore
by Christopher Moore
by Matt Christopher
by Christopher Husberg
by Christopher Byrne
by Lucy Christopher
by Carole Gallagher
by Bill Staton
by Jeffrey A. Hirsch
"Nate Quinn is an easy-going marine biologist studying the "music" of humpback whales. Through Bill Irwin's narration, listeners can fully imagine Nate's shock when he sees the words "Bite Me" on the underside of a whale's tail. But when the rest of novel's large cast is introduced, Irwin's narration becomes problematic. His unmodulated reading prevents the science humor and numerous asides common to Moore's writing from shining through. Further, his attempt to add individualized voices for a very few characters, such as Kona, the "spliff-smoking Rastaman," distracts from the story. While Moore's humor is decidedly thoughtful and irreverent, Irwin's inconsistent delivery disappoints. E.J.F. (c) AudioFile 2003, Portland, Maine"