From the celebrated poet behind bone, a lyrical memoir—part prose, part verse—about coming-of-age, uncovering the cruelty and the beauty of the wider world, and redemption through self-discovery and the bonds of family
"My little brother and I saw a unicorn in the garden in the late nineties.
I'm telling you. Neither one of us made it up; it was as real as anything else."
So begins The Terrible, Yrsa Daley-Ward's brave, raw, completely lyrical memoir that captures the surreal magic and incredible discomfort of adolescence, burgeoning sexuality, rootlessness, and connection.
Through emotional snapshots that span from her adolescence through her early twenties, each brought to life in Yrsa's gorgeous signature style of open white spaces and stirring, singular lines, The Terrible evokes the pain and thrill of girlhood, as well as what it means to discover the fear and power that come with being a woman. With a sharp eye and a rare talent for mining the beauty and the sorrow in the everyday, Yrsa recounts her remarkable life: growing up as one of the only black children in a poor, white, working class town; navigating the extreme Christianity of her family; inquiring after her paternity; moving through phases of addiction and sexual encounters; and ultimately finding her place in her family and in life.
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"In this memoir, poet Yrsa Daley-Ward, the author of BONE, delivers a lyrical narration of her past troubles involving sex, drugs, and issues of womanhood and identity. Not typical in memoirs, Daley-Ward's nonfiction title brings in elements of fiction. "My little brother and I saw a unicorn in the garden in the late nineties," she narrates. Although her delivery is very fast in places, her vocal variation makes it work. Howard Daley-Ward's voice comes in later in the audiobook to give life to Yrsa's younger brother, Roo. In contrast to Yrsa's rich voice, Howard's sounds a bit stiff. This work, like BONE, aims to be accessible but still poetic. Told unflinchingly, its rawness is elevated by the author's voice. A.C. © AudioFile 2018, Portland, Maine"
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