John Paul Jones, at sea and in the heat of battle, was the great American hero of the Age of Sail. He was to history what Patrick O'Brian's Jack Aubrey and C. S. Forester's Horatio Hornblower are to fiction. Ruthless, indomitable, clever; he vowed to sail, as he put it, "in harm's way." John Paul Jones is more than a great sea story. Jones is a character for the ages. John Adams called him the "most ambitious and intriguing officer in the American Navy." The renewed interest in the Founding Fathers reminds us of the great men who made this country, but John Paul Jones teaches us that it took fighters as well as thinkers, men driven by dreams of personal glory as well as high-minded principle to break free of the past and start a new world. Jones's spirit was classically American. Evan Thomas brings his skills as a biographer to this complex, protean figure whose life and rise are both thrilling as a tale of dauntless courage and revealing about the birth of a nation. "Superlative...?oth Jones and his latest biographer can justly be praised as masters of their respective crafts" Publishers Weekly "Evan Thomas captures all the incongruities, vanities, blazing ambition, and phenomenal courage of his subject" David McCullough, author of John Adams
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by Evan Thomas
by Evan S. Connell
by Evan S. Connell, James Salter
by Emory Thomas
by Thomas Harris
by Thomas Hardy
by Thomas Allen
by Thomas Mullen
by Thomas Davenport
"The hero buried beneath the chapel at the American Naval Academy was a study in contradictions. Selfless in battle, he was notably self-regarding in society. John Adams called him "leprous with vanity." Jones fought brilliantly to create a new world yet so yearned to please the aristocracy of the old one that he returned Lady Selkirk's silver plate after having risked his life to capture it on a raid on the coast of Scotland. Dan Cashman's voice is a fine, clear instrument, but his performance is marred by its ambition. The light brogue with which he italicizes Jones's own words is welcome. His attempt to affect a different accent for every character--French/Russian, man/woman, young/old--is markedly less successful. B.H.C. (c) AudioFile 2004, Portland, Maine"
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