Allen Carmichael came back from Vietnam a lifetime ago--but only now was he ready to return home. For years, he's lived on the fringes of the law, using a soldier's skills to keep watch over those too young to defend themselves. Some consider him nothing but a kidnapper for hire--the best in the business; others call him a hero. His specialty has been rescuing children from abusive parents and escorting them to loving homes. But after twenty-five years, he is ready to take on his final case--a case that could destroy him. The boy's name is Jamie: He believes his father is going to kill him. Allen is convinced that the twelve-year-old is right and devises a strategy to save him. His last job done, Allen heads back to Folly Island, where he plans to settle into a quiet life. But not long after his return, a small plane piloted by the boy's father's crashes, leaving behind debris--but no body. Now it is up to Allen to resolve whether Jamie's father is dead or alive--and to make sure Jamie himself stays out of harm's way. But a series of ominous events leads Allen to question whether Jamie's father is really the enemy after all. Or if the real threat is far more unspeakable...and the killer unimaginable. Riveting, harrowing, and unforgettable, Keeping Watch takes psychological suspense to its most dizzying heights and proves again why Laurie R. King has been called by both readers and critics an undisputed master of suspense.
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by Laurie R. King
by Stuart Woods
by John Sandford
by Raymond Khoury
by Steven James
by Chuck Logan
"In addition to two successful, critically acclaimed mystery series, Laurie King writes psychological thrillers, of which KEEPING WATCH is the newest. In it she juxtaposes an emotionally damaged Vietnam War veteran who saves abused children and a 12-year-old boy whom he rescues. Then she throws them into a nightmare situation that requires all their survival instincts and ingenuity to escape. Full of Vietnam War flashbacks, the story is vivid, involving, and suspenseful. Richard Ferrone has been acclaimed for his "voice noir" delivery, which he uses to full effect here. It's intense, at once gritty and nasal, with little variation in tone--a voice that some listeners love and others can't listen to for long. This reviewer finds Ferrone's lack of tonal variation tiring but admires his emotional reading and vocal characterization. It's worth a listen and is guaranteed to keep you on the edge of your seat. A.C.S. (c) AudioFile 2003, Portland, Maine"
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