What if you could live multiple lives simultaneously, have constant, perfect companionship, and never die? In the tradition of classic speculative fiction from David Mitchell and Philip K Dick, Join is a literary sci fi thriller that brings to life the "future of the mind" in which humans can merge consciousnesses to form permanent "Joins," expanding life and consciousness--but at what cost? In an alternate near-future, Join allows for the fusing of several minds into a single consciousness with multiple bodies. But best friends Lucky and Leap encounter a terrifying malfunction in the Join technology and discover that the light of this miracle technology may be blinding them to its horrors. As they move into the heart of the new North America, devastated by environmental ruin, they meet the architects of a new kind of human consciousness, and their trust in each other becomes their only guide through the moral hazards of a society in which individual identity has come undone, and a sadistic killer with dozens of identities follows them in relentless pursuit. Literary sci-fi that poses major philosophical questions, while possessing the same propulsive quality of Mort(e) and the work of Philip K. Dick. An unconventional narrative flow shifts between the various consciousnesses of each character, settling into a nice rhythm while keeping the reader on their toes.
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by Steve Toutonghi
by Todd Moss
by C.J. Lyons
by Elif Shafak
by Jamil Ahmad
by Elliot Ackerman
by Garth Greenwell
by Helen Oyeyemi
"Narrator Piter Marek helps listeners keep track of multiple characters in a novel about a future in which people can join minds into a single unit, while still maintaining a measure of autonomy. If that sounds confusing, it is. Even Marek's steady performance cannot dispel the somewhat perplexing storyline, which starts out confusingly but becomes easier to follow as the audiobook goes on. The problem Marek faces is trying to give personalities to the multiple bodies and minds that are, in many ways, the same person. He manages to imbue the villain of the piece, who apparently just enjoys killing, with a smarmy personality, making him the kind of person you want to punch in the face. Or faces, in this case. M.S. © AudioFile 2016, Portland, Maine"
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