A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes's first novel since his best-selling, Man Booker Prize-winning The Sense of an Ending. In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children-and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.
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by Julian Barnes
by Justin Somper
"Daniel Philpott's narration is perfectly matched to Barnes's complex fictional account of three critical periods in Dmitri Shostakovich's life. Philpott renders the esteemed composer's interactions with the authoritarian rulers of Soviet Russia, led by Stalin, capturing his struggle with being an unwilling symbol of Soviet artistic expression. Philpott delivers Shostakovich's voice and interior monologues with crisp British diction. One slight quibble: The choice to give Russian authorities menacing accents, while deftly done, seems a curious decision when the protagonist speaks the Queen's English. That said, the listener gets a visceral sense of the composer's long battle with the authorities over his formalist compositions and his reluctance to join the Communist Party. A.D.M. © AudioFile 2016, Portland, Maine"
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