The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today.
Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money's worth. The world's first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played.
Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other's lovers, stole one another's favorite playwrights, and took to the world's stages to outperform their rival in her most iconic roles.
A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect "book for all of us who binge-watched Feud" (Daniel de VisE, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
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by Carolyn Burke
by Peter Ames Carlin
by Beverly Lowry
by Tom Sancton
by Lucy Macdonald
by Lisa Unger
by Diane Ravitch
by Jai Pausch
by Richard Russo
by Peter Navarro
by Peter Abrahams
"The daughter of an unmarried Jewish courtesan, Sarah Bernhardt (18441923), and the daughter of Italian troubadours, Eleonora Duse (18581924), became the most famous actresses of their day. Amanda Carlin's performance offers a treasure trove of anecdotes revealing the not-so-secret feud between them. Bernhardt was as flamboyant offstage as she was mesmerizing on it. She kept a pet alligator, was sexually uninhibited, and was reputed to sleep in a coffin. Duse was her polar opposite. Her acting was natural and understated, a revolutionary approach for nineteenth-century audiences used to highly stylized acting. Critics began to call Bernhardt's acting dated. Carlin's spot-on portrayal of these women who stole each other's lovers, wooed each other's playwrights, and stole roles from each other makes for highly entertaining listening. S.J.H. © AudioFile 2018, Portland, Maine"
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